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001 TD20011094
005 20180618144104.0
049   $aTDMAGDIG
100   $a20190501d2010    --k--ita-50----ba 
101 1 $aita
200 1 $aLa cucina dello spettacolo Forme drammatico?musicali di transizione nei libretti dell?opera italiana postunitaria$bTesi di dottorato
210  1$cUniversità degli studi di Ferrara$d2010
300   $adiritti: info:eu-repo/semantics/openAccess
300   $aIn relazione con info:eu-repo/semantics/altIdentifier/hdl/11392/2389183
328  0$btesi di dottorato$cL-ART/07$eUniversità degli studi di Ferrara
330   $aThe traditionally so?called ?transitional? period of italian melodramma, roughly corresponding to the decades of 1870s and 1880s, saw also wide transformations in its relationship with the librettos, their creation and their form. Changes happened also in the status of the libretto and of the librettist among the new publishing industry, in their stength ratio with the music and the musician and in their related production modalities, as in the specific examples of librettists Angelo Zanardini and Carlo D?Ormeville. Great importance was to be found in new poetry configurations in the domain of meter, of ?liricity? and of solo, duo and collective singing forms and in ?metasinging? prescription.
689 0 $aL-ART/07$cTDR
700  0$aFAUSTINI, Piero
702  0$aROCCATAGLIATI, Alessandro
702  0$aBIN, Roberto
801  3$aIT$bIT-FI0098
856 4 $uhttp://memoria.depositolegale.it/*/http://hdl.handle.net/11392/2389183$2http://hdl.handle.net/11392/2389183
856 4 $uhttp://memoria.depositolegale.it/*/http://iris.unife.it/bitstream/11392/2389183/1/227.pdf$2http://iris.unife.it/bitstream/11392/2389183/1/227.pdf
977   $a CR
997   $aCF
FMT   $aTD
FOR   $aTD